Diagnose
We review the source for format, interlace, compression, motion, flicker, and visible damage.
Estimator details
Our estimator is a starting point, not a binding price. Every full restoration is quoted after we review a representative sample so the scope matches the real condition of your source.
Factor 1
Longer footage usually means more work, but condition drives the true effort. A clean 20-minute camcorder file can be faster than an 8-minute tape with heavy tracking damage.
Factor 2
Pricing changes most when defects require testing, manual review, or multiple passes. Common drivers include interlacing issues, flicker, unstable exposure, tape noise, compression artifacts, and camera shake.
Factor 3
Tape transfers, early digital camcorders, and web downloads all behave differently. If the source is interlaced, heavily compressed, or has mixed frame rates, we often need an extra diagnostic step before we can promise a target resolution.
Factor 4
Most projects deliver an easy-to-share MP4 master. Premium jobs can include ProRes or another editing master when a project needs heavier finishing. A higher-quality master can add time for encoding, QC, and storage.
Factor 5
Standard turnaround is priced for careful review and clean delivery. Rush timelines may be possible depending on queue load, but they can change the quote if the project requires dedicated operator time.
How we quote
We restore a short representative section and describe what is realistically achievable for your specific source. After that sample review, you receive a fixed quote for the full runtime and can approve or decline with no obligation.
We review the source for format, interlace, compression, motion, flicker, and visible damage.
We restore a short clip and confirm the best target resolution and look.
We quote the full runtime based on condition, complexity, delivery format, and turnaround.
You approve the quote before the full restoration work begins.